Although her earlier works were usually triggered by historical and political references, Haegue Yang sees this one as a new departure towards abstraction â a kind of shaking off of the ⦠Liberating the blinds from their original function, she elevated the ready-mades to reveal their aesthetic quality. Presently, Yang has an installation titled⦠Haegue Yang is a Korean artist based in Berlin and Seoul who is well known for working with mundane materials such as venetian blinds, decorative lights, and fans. South Korean artist Haegue Yang has made a duo-chromatic installation using Venetian blinds for the forum of the Centre Pompidou this summer. Yang often makes work using everyday domestic items, transforming them in extraordinary ways. Haegue Yang. Haegue Yang / South Korea/Germany b.1971 / Sol LeWitt Upside Down â Open Modular Cubes (Small), Expanded 958 Times 2015 / Aluminium Venetian blinds, aluminium hanging structure, powder coating, steel wire / 560 x 1052.5 x 562.5 cm / Commissioned for APT8. Yangâs work has been exhibited internationally since the mid-1990s. Haegue Yangâs installation Lethal Love (2008), now showing at the Museum of Contemporary Art as part of the Sydney Biennale, seems to recreate this mise-en-scene with its maze of hanging Venetian blinds. One of the leading and most significant artists of her generation, Yang moved to Germany in 1994 to study at the renowned art school Städelschule, where she received a Meisterschüler. Haegue Yang: Venetian Blinds Art. Artificial straw, powder-coated steel frame, powder-coated mesh, casters, 203 x 120 x 120 cm. by Carla Cugini, Cologne 2018. Haegue Yang. Haegue Yang seeks isolation and then mines the accompanying confusion to reflect on the nature of belonging. Yangâs best known for her works involving Venetian blinds. Titled 'Lingering Nous', it is composed of amethyst and jade-coloured blinds, which are suspended from the ceiling and lit by LED chandeliers. Nov 2,2019-Apr 5,2020. Lives in Berlin, and Seoul, Korea Holiday For Tomorrow (2007) Wooden screens (Yes-I-Know-Screen); PVC, shells (Shell Sculpture); 10 multi-coloured Venetian blinds, steel cable (Blind Department); wooden platform with monitor showing 13 min DVD (Holiday Story). Yangâs choice highlights the unique sculptural possibilities of these ordinary window coverings. From Guggenheim Museum, Haegue Yang, Series of Vulnerable Arrangements--Voice and Wind (detail) (2009), Aluminum venetian blinds, aluminum frame, industria⦠Haegue Yang has designed a huge installation comprising over 500 venetian blinds. ... venetian blinds have become a key part of her most recognised works. 1971, South Korea) lives and works in Berlin and Seoul. Installation view, Haegue Yang, 'Triple Vita Nestings', Institute of Modern Art, Brisbane. Haegue Yang was born in 1971 in Seoul, South Korea and currently lives and works between Berlin and Seoul. cat. Purchased 2015 with funds from Tim Fairfax, AC, through the Queensland Art Gallery | Gallery of Modern Art Foundation. Dimensions variable. Installation dims: 139.76 x 149.61 inches (355 x 380 cm) ... melancholy works made from venetian blinds and other domestic objects, Yang ⦠To this end, she often includes complex formations of ordinary Venetian blinds, which provide porous boundaries for viewers to navigate around. 3.9 The wheeled structures are constructed from aluminium frames, blinds and intricate knotted textile macramé. Haegue Yang Selected Bibliography . Haegue Yang integrates vast color schemes to make these no ordinary blinds you'd see in your bedroom. Courtesy of the artist and Barbara Wien, Berlin Haegue Yangâs art resists a defining medium, ⦠Haegue Yang is an artist known for her subtle use of mundane objects within sensory installations. Click to enlarge. Photo: Studio Haegue Yang. Haegue Yang (b.1971) is a South Korean artist, who lives and works in Berlin and Seoul. dOCUMENTA (13), Kassel, Germany, 9 Juneâ16 September 2012. Born in Seoul in 1971, Haegue Yang employed ordinary Venetian blinds, a staple in her work since 2006, for the monumental abstract composition. Haegue Yang, Courtesy the artist.. At Haegue Yangâs exhibition at the Leeum, Samsung Museum of Art in Seoul, âShooting the Elephant 象 Thinking the Elephant,â the visitor will encounter installations and sculptures composed of bright brass bells, electric fans, light bulbs, and Venetian blinds, all involved in a dance of movement, light, texture, and sound. She is best known for drawing on a wide repertoire of ordinary household objects to create visually abstract sculpture and installations that delve into a cacophony of social, historical and political narratives. Crystalline Hovering and Projecting â Trustworthy #361, 2018. This suspended sculpture is made of over 500 Venetian blinds. Living between Seoul and Berlin, Yang employs industrially produced quotidian items, digital processes, and labor-intensive craft techniques. 1971, Seoul, Korea. Haegue Yang: ETA 1994â2018, 2018 Wolfgang Hahn Prize, ed. 1971, Seoul) consistent curiosity about the world and tireless experimentation with materializing the complexity of identities in flux. Haegue Yangâs works are often recognised by their eclectic arrangement of utilitarian products â electric cables, artificial plants, synthetic straws, metal plated bells, turbine vents, light bulbs â and, perhaps most notably, venetian blinds, which entered her vocabulary in 2006. Towards Haegue Yangâs Blind Rooms published in Haegue Yang. Monographs, Artistsâ Books and Exhibition Catalogs (chronological-alphabetical) 2018 Beautiful World, Where Are You?, ed. Itâs a good moment for the South Korean artist Haegue Yang in London: Tate Modernâs showing a ⦠Haegue Yang b. Two of her Sonic Dress Vehicles feature here, where the blinds are attached to. Born 1971 in Seoul, South Korea Lives and works in Berlin, Germany and Seoul. Visiting an art exhibit put on by Haegue Yang is the ultimate sensory experience. She is currently Professor of Fine Art at her alma mater. Haegue Yang: ETA 1994-2018, ed. Her colourful installations and performative sculptures frequently combine domestic and industrial materials with sound and light. Inquire Close. Yangâs visual, sound, and olfactory installations reveal the intersections of public and private. Various security envelopes, graph paper, laser prints on paper, self-adhesive holographic and reflective vinyl film on cardboard, framed, self-adhesive holographic and digitally color printed vinyl film. Purchase, with funds from Eleanor and Francis Shen, the David Yuile and Mary Elizabeth Hodgson Fund, Womenâs Art Initiative, the Janet and Michael Scott Fund, the Contemporary Circle ⦠2011 Escaping Things and Words, Haegue Yang, Rivane Neuenschwander, Kunsthalle Lingen, Lingen The Art and Technique of Folding the Land, Aspen Art Museum, Aspen, Colorado* The Sea Wall: Haegue Yang with an inclusion by Felix Gonzalez-Torres, Arnolfini, Bristol All photos: Latitudes | www.lttds.org The Intermediate â Tilted Bushy Lumpy Bumpy, 2016. Haegue Yangâs symphony of blinds rises through the vast foyer of Parisâs Centre Pompidou PARIS â To celebrate France-Korea Year 2015-2016, the Centre Pompidou in Paris invited South Korean artist Haegue Yang to make a site-specific installation to be shown â¦